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...Bertolt Brecht and Steve Jobs collaborated on a play about economic downturn, the end result might look something like the lifeless, sluggish production of Clifford Odets’s “Paradise Lost” currently running at the American Repertory Theater (A.R.T.). Brecht would insist on calling attention to the show’s own theatricality, thereby distancing the audience and forcing them to separate their emotions from the action onstage in order to realize an important truth. Meanwhile, Jobs would persistently add more and more technology to the play, to no rational end. This is the feel...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...given that plagiarism is not exactly new - Bertolt Brecht, one of Germany's most influential poets and playwrights, once famously admitted to a "laxity in questions of intellectual property" when he was accused of plagiarizing the French poet François Villon in his play Threepenny Opera - there must be another reason that explains why the Hegemann case has created a stir in Germany. Philipp Theisohn, a professor of literature at the Swiss Federal Institute for Technology in Zurich and author of a book on the history of plagiarism, believes the case struck a chord because the literary world...

Author: /time Magazine | Title: German Teen's Debut Novel: Plagiarism or Sampling? | 2/18/2010 | See Source »

...bourgeois intellectuals invited to witness the playacting of inmates and our own theatre-going selves, who watch both the play itself and the intellectuals’ reaction to it. This idea of surveillance and reaction comes from the text—Weiss was influenced by the theories of Bertolt Brecht, a German playwright who believed in politicizing theater by highlighting its artificiality—and Leaf uses it fully...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Marat’ Overflows with Potential | 11/2/2009 | See Source »

...It’s not until Oppenheimer and history return to view that Hell makes sense, with a line slyly borrowed and modified from Bertolt Brecht’s “Life of Galileo”: “August 6, 1945: Heaven abolished.”The show doesn’t so much end as dissolve, which is meant as praise. Too often artists use History to de-fang the past—think “Schindler’s List”—but Videt finds resonance in events which remain indeterminate, unknown...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: 'Space Between' Is Visual Success | 4/30/2009 | See Source »

...been unsuccessfully working on a dissertation on perversions in Alice for long enough to have taken on a twitchy, Mad Hatter-like look herself. Then there is Phoebe's drama teacher, Miss Dodger (Patricia Clarkson), who approaches directing an elementary school production of Alice with the dedication of Bertolt Brecht. Miss Dodger wears her hair in severe braids wrapped around her head, which have apparently squeezed all affect...

Author: /time Magazine | Title: Phoebe in Wonderland: A New Fanning Kid to Love | 3/5/2009 | See Source »

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