Word: bertolt
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Dates: during 1970-1979
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...BERTOLT BRECHT is one of those playwrights about whom there can be no equivocation. In his plays, like it or not, one must take a side, either with the rapacious, self-centered capitalists or the downtrodden but gritty workingmen. Brecht's drama, to borrow Lionel Trilling's phrase, takes place at that "bloody crossroads where art and politics meet...
...twenties, lean, slight, light-skinned, freckled, pale-eyed, sharp-faced. He wears round wire-rimmed spectacles like Bertolt Brecht's and a bush of red hair teased out as if in ongoing electrocution. His chin and lips are hairless. No hippie he, his clothes are rumpled but clean, plain, even severe: in Ambrose's phrase, he dresses like a minor member of the North Korean U.N. delegation...
DIED. Paul Dessau, 84, East German composer of operas and incidental music best known for his collaborations with Bertolt Brecht (Mother Courage, The Caucasian Chalk Circle); in East Berlin. Following a career as a violinist and conductor of the Staädtische Oper in Berlin, Dessau fled the Nazis in 1939 for America, where he began writing the dissonant scores that so effectively complemented Brecht's scripts. An old-line Communist, Dessau returned to East Germany after...
Galileo. Out of the confrontation between Galileo's celestial findings and the inflexible cosmology of the Inquisition, Bertolt Brecht fashioned a drama of high moral intelligence that probes the uneasy relation between science and power. Laurence Luckinbill's New York Actors-Theater gave the play a luminous revival...
...CHARACTERS on the seedy stage of the Bertolt Brecht/Kurt Weill Threepenny Opera look out for themselves. An effective production of the unique hybrid of cabaret song, Broadway show, and revolutionary tract should leave you asking yourself whether you're any different. Brecht's script keeps up a steady fire of political comment, and his socialism slips in discreetly enough so that even American audiences in the '50s could stomach it. But it's Weill's brooding, often harsh music--so evocative of Weimar Germany's rotten core--that fixes The Threepenny Opera's world of human iniquity and mortality...