Word: bertolt
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...hippie communes of the late 1960s, have struggled with the reality of individual self-interest. Sixty years of Soviet efforts to make workers more productive and innovative through slogans, medals, bonuses and threats have not overcome the basic problems of the U.S.S.R.'s inefficient agriculture and erratic industry. Bertolt Brecht, the Marxist German dramatist, said sardonically after the 1953 workers' riots in East Berlin that in view of the system's problems with its subjects, it might be easier to "dissolve the people and elect another...
...Broadway songs of Kurt Weill, as they are now doing at Manhattan's Bijou Theater. Singing is a singularly inadequate word; reincarnation is distinctly more appropriate. When these two are onstage, the audience is inside the skulls and the sensibilities of Weill and his most potent collaborator, Bertolt Brecht. One immediate impression is that the lyricist always has an enormous impact on the composer. Rodgers and Hart is light-years away from Rodgers and Hammerstein. In like fashion, Pirate Jenny of Brecht's Threepenny Opera dwells in a totally different realm from The Saga of Jenny of Lady...
...BERTOLT BRECHT is one of those playwrights about whom there can be no equivocation. In his plays, like it or not, one must take a side, either with the rapacious, self-centered capitalists or the downtrodden but gritty workingmen. Brecht's drama, to borrow Lionel Trilling's phrase, takes place at that "bloody crossroads where art and politics meet...
...twenties, lean, slight, light-skinned, freckled, pale-eyed, sharp-faced. He wears round wire-rimmed spectacles like Bertolt Brecht's and a bush of red hair teased out as if in ongoing electrocution. His chin and lips are hairless. No hippie he, his clothes are rumpled but clean, plain, even severe: in Ambrose's phrase, he dresses like a minor member of the North Korean U.N. delegation...
DIED. Paul Dessau, 84, East German composer of operas and incidental music best known for his collaborations with Bertolt Brecht (Mother Courage, The Caucasian Chalk Circle); in East Berlin. Following a career as a violinist and conductor of the Staädtische Oper in Berlin, Dessau fled the Nazis in 1939 for America, where he began writing the dissonant scores that so effectively complemented Brecht's scripts. An old-line Communist, Dessau returned to East Germany after...