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...nonjudgment. To have the actors in a production approach individual members of the audience during the production--to surprise the audience with the fact that they can be observed--might just work. This is exactly the technique used by the Institute for Advanced Theater Training in their production of Bertolt Brecht's St. Joan of the Stockyards three weeks ago in the Loeb Ex, and it works wonders. To feel sympathy for a beggar on the stage and then have that beggar approach you to ask for money forces you to acknowledge your own feelings. To feel compassion...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Death of the Audience | 2/18/2000 | See Source »

When the American Repertory Theatre puts up a show, whether it's Peter Pan or Bertolt Brecht, every scene feels like an existential dialogue in the dark. It's partly a function of the Loeb Mainstage itself and partly a function of A.R.T. sets which are too conceptual to bother setting the right time-of-day tone. This darkening affect is only a part of an A.R.T "feel" that touches almost every show they produce, and their most recent, Henrik Ibsen's The Master Builder, is no exception...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Building Keeps Out the Cold: Ibsen Takes Center Stage at A.R.T. | 2/26/1999 | See Source »

...Bertolt Brecht and Kurt Weill write The Threepenny Opera...

Author: /time Magazine | Title: Milestones Of The Century | 6/8/1998 | See Source »

...Bertolt Brecht...

Author: NO WRITER ATTRIBUTED | Title: listings | 2/26/1998 | See Source »

...Bertolt Brecht...

Author: NO WRITER ATTRIBUTED | Title: listings | 2/26/1998 | See Source »

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