Word: bertolt
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...Like Bertolt Brecht's Life of Galileo, this nonsensical play derides those who use the idea of "science" for commercial exploitation. Despondent because people no longer accept any gifts, Santa Claus (Joel Rainey) turns to Death (Ian Lithgow) for advice. Death proposes that Santa find another line of work--namely, selling knowledge. He suggests that Claus use the buzzword "scientific" to peddle his non-existent wares. "Why say fantastic when you mean scientific?" Death asks. Soon he has Santa selling stock in a "wheel mine." The plot becomes even more convoluted after this. Death and Santa exchange outfits...
...last season, winning an Olivier Award, and makes its U.S. debut at California's Berkeley Repertory Theater. The language is vernacular, sometimes vulgar, and even titled characters are stripped of grandeur and persiflage. The multiracial casting reflects contemporary America more than feudal Spain. Stylistically, the 20th century influence of Bertolt Brecht is evident throughout in the Marxist class analysis, didactic political sloganeering and use of song and dance to preach...
...fratricidal ordeal known as the Thirty Years' War (1618-48), the French, Swedes and other nations joined in playing out their political and religious rivalries on German soil. Much of Germany was devastated and the starving survivors reduced to misery. In one of his best plays, Mother Courage, Bertolt Brecht sketched the scene: "The religious war has lasted 16 years, and Germany has lost half its inhabitants. Those who are spared in battle die by plague. Over once blooming countryside, hunger rages. Towns are burned down. Wolves prowl the empty streets...
...acclaimed stage shows from East and West Berlin, Munich, Hamburg, Bremen, Bochum and Schwerin. All were imported for, or staged locally to enrich, last month's Berlin Theatertreffen, the city's 27th annual festival of productions from around the German-speaking world. Although the doctrinaire Marxism of Bertolt Brecht, Germany's greatest 20th century playwright, has fallen out of fashion, his zeal to shake up bourgeois spectators still seems to inspire his artistic successors...
Midmorning. "It has been a quiet revolution," the woman is saying. She is sixtyish, an actress in the Berliner Ensemble, the repertory theater founded by Bertolt Brecht. In the corner of the room, images flicker on the television screen. The pictures are of villas and hunting dachas and the commentator is talking about hundreds of millions of deutsche marks smuggled out of the country and into Swiss bank accounts...