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Word: bertrams (lookup in dictionary) (lookup stats)
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...Harvard-Radcliffe Haitian Alliance (HRHA) celebrated Aristide's return at Cabot House's Bertram Living Room Sunday night...

Author: By Ron Y. Shiloh, | Title: Students, Profs Hope for Haiti | 10/19/1994 | See Source »

...American and a Canadian won the Nobel Prize in Physics for developing a new way to study the building blocks of all matter -- atoms and molecules. The $930,000 physics prize will be shared by Clifford G. Shull of the Massachusetts Institute of Technology and Bertram N. Brockhouse of McMaster University in Hamilton, Ontario. Both developed a way to probe atomic structure by knocking off neutrons from particles of matter...

Author: /time Magazine | Title: NEUTRON- KNOCKIN'NOBELISTS | 10/12/1994 | See Source »

...demands a more complex interpretation, reading Havel's play as a study in tragic hilarity. Rouse goes a fair distance to portray the outside world from which Leopold is excluded, transforming Lucy (Jessica Walling), Leopold's unrequited mistress, into a lascivious lover who must compete with the male "friend" Bertram, for the professor's attention, and juxtaposing the confused living room existence of the actual drama with cascades off-stage laughter between Leopold's friends, Suzana (Jessica Fortunato) and Edward (Thomas Parks...

Author: By Hugh G. Eakin, | Title: Loeb's 'Largo' Impresses | 7/29/1994 | See Source »

Harassed by Bertram, his other "fans" Sidney and Sidney (Mark Fish and Michael Stone) from the paper mill, his enemies, the two Chaps (also Fish and Stone) representing the baneful "they" and his assertive mistress, Lucy, Lithgow's Leopold is an oppressed identity whose self-imprisonment in his living room reflects a more malignant psychological incarceration in a meaningless system of language and behavior...

Author: By Hugh G. Eakin, | Title: Loeb's 'Largo' Impresses | 7/29/1994 | See Source »

Gammons succeeds in becoming the drama's arch-oppressor as the pathologically smug Bertram; in a driving performance, he assaults Leopold verbally and ultimately physically, appending a quasi-sexual violence to the string of cliches he spits out. Gammons flaunts his matter-of-fact power over Leopold, crescendoing to an explosive frenzy with his own discourse; at the time Walling enters, Bertram is literally straddling Leopold, who Rouse has virtually transformed into the "passive object" of sexual, as well as intellectual interest. What Gammons' words and behavior add to the hollowed grammar of Leopard's existence, Fish and Stone...

Author: By Hugh G. Eakin, | Title: Loeb's 'Largo' Impresses | 7/29/1994 | See Source »

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