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Tyler Perry has for years operated in something of an alternate theater universe. Though best known for his hit movies (starting with Diary of a Mad Black Woman in 2005), top-rated TV series (TBS's House of Payne) and friendship with Oprah Winfrey (with whom he produced the Oscar-nominated film Precious), Perry, 40, may well be the most popular unsung playwright in America. Raised in a poor and abusive home in New Orleans, he staged his first musical play, I Know I've Been Changed, in a former Atlanta church in 1998. Two years later he introduced...
Option No. 1 is domestic political suicide, and it might not be smart economics either; slashing government spending and raising taxes during a downturn could worsen that downturn. Option No. 2 seems the best of the lot but has high international political hurdles to surmount. No. 3 would be a disaster for Greece and for the global financial system. As for No. 4, given that there are no procedures for leaving the euro, it might risk unraveling the entire project. In the euro's prelaunch period, a few skeptics predicted that the mismatch between a single European currency and differing...
...murderers, evil spirits and giant bugs--the kinds of subject matter better associated with his father Stephen King. And like the heroes of such stories, Hill (who writes under his first and middle names) eventually discovered that sometimes you can't escape the past. Sometimes, in fact, it's best to not even try. On the strength of two masterly thrillers--2007's Heart-Shaped Box and his newest, Horns--Hill has emerged as one of America's finest horror writers...
...began to think I might not be able to cut it as a novelist," he says. So he scaled back, and in 2005 a small British press released a collection of his short stories, the touching, terrifying 20th Century Ghosts. It was followed two years later by the best-selling Heart-Shaped Box, a novel about an aging rock star who buys, via the Internet, a suit that happens to be haunted by an evil, razor-wielding...
That empathy with the Devil--taking a despicable character and slowly bringing us around to his side--is the sort of thing Hill does best. It's also what's missing from so much of the girl-meets-vampire gruel that dominates the genre these days. "The writer's first job in horror fiction is to convince the reader that there is a real person there to care about," says Hill. "If you don't have that, you don't have anything...