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...best pictures...
...orchestra must play on the same level as the audience, and tends to trap the singing behind it, occasionally making it difficult to catch words or phrases. However, music director Nico A. Olarte-Hayes ’11 leads the chamber orchestra with admirable restraint, and even the best of conductors and ensembles would have a hard time playing more surreptitiously...
...Gate House” sculptures. “Gate House” is comprised of three pointed steel archways painted in red, yellow, and blue to represent the brick characteristic of Cambridge architecture, the leaves of the New England autumn, and the local maritime tradition, respectively. Among the best known creators of public art in Cambridge, Hamrol has had his work exhibited at the Smithsonian American Art Museum in Washington, D.C., the Whitney Museum in New York, and the San Francisco Museum of Modern Art. As I stood in the center of the three sculptures, looking up at the arches...
...made the earliest film on this loop, “Clay or the Origin of Species,” when he was a senior at Harvard. The film, which is one of the first animated movies to use clay and went on to receive the Academy Award nomination for Best Animated Short Subject, features charming clay imaginings of early forms of life and gradually culminates in the creation of humans...
Equally innovative is the 1968 film “Sand, or Peter and the Wolf” by filmmaker Caroline J. Leaf ’68. Leaf’s work is one of the earliest and best examples of the use of sand in animation, as she creates an ethereal, shapeshifting set of grainy black and white characters. Though its graphics appear rudimentary to today’s eye, Leaf’s film remains visually captivating. Leaf constantly recreates her characters’ forms, faces, and even species; in one scene, a wolf eats a bird that later...