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Word: besting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...together was politics. Saving NO was politics. And wanting to control your own life was the most important politics of all. Controlling your own life remained the theme of SDS activity for a number of years. Mario Savio, leader of the Free Speech Movement at Berkeley, summed it up best...

Author: By Jim Frosch, | Title: Brass Tacks Education of SDS | 10/4/1969 | See Source »

...kind of control over world resources and labor that it has in the past and if internal tensions simultaneously disrupt the system, then it might be possible to radicalize the workers. Aside from being a longshot (but no longer than PL's strategy), the Weatherman proposal is the best argument yet for white radicals not to do anything...

Author: By Jim Frosch, | Title: Brass Tacks Education of SDS | 10/4/1969 | See Source »

Although we do have the best photography and printing facilities around, the general appearance of our rather decrepit. old building just can't complete with something like the stately Lampoon. If you're looking for a place with some quiet. leisurely atmosphere, forget it. (The Fly Club is between Mr. Auburn St. and the main entrance of Lowell House...

Author: NO WRITER ATTRIBUTED | Title: Putting the Crimson to Bed | 10/4/1969 | See Source »

...important part. You can write mostly sports if you want to, you can write half sports. or you can write next to no sports. But, as Ben Beach, our boy wonder sports editor would say. "Sports is a groove." To repeat, the News Board Comp is Harvard's best introductory course to Harvard. (Consider the bright side: you'll be able to analyze and discuss with knowledge and precision exactly why you're miserable here...

Author: NO WRITER ATTRIBUTED | Title: Putting the Crimson to Bed | 10/3/1969 | See Source »

...works that follow it, less ambitious in scope, are more successful. Probably the best of these later films is Valentin de las Sierras, made in Mexico. Rather than unify the film through a central protagonist's experience, Baillie portrays the world as a child sees it, conveying a clear sense of wonder through close-ups and impressionistic hand-held camera work. Shots with specific meanings reoccur in a variety of contexts, and characteristic Baillie imagery-a dark horse, an unlit entryway-rearranges itself according to a child-like vision...

Author: By Joel Haycock, | Title: The Moviegoer Films of Bruce Baillie Second in a two-part retrospective at the Harvard-Epworth Church, 7 p.m. | 10/3/1969 | See Source »

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