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Zane's novel is not particularly outstanding; but its deficiencies are less his than those of the movement and the life which he writes about. The paucity of thought and craftsmanship which mark the novels of Beatland (On The Road is the bible of this pagan country) betray the trivial superstructure which American beats have errected upon a set of basic and simple propositions about the society they reject and the values they seek to transcend. In short, the beat generation is a barren subject-matter, and the more one has to say about it, the more one becomes repetitious...

Author: By Edmund B. Games, | Title: Back to Beatland Again: A Study in Moral Decay | 5/15/1959 | See Source »

Dealing with subjects as homely as breakfast, gossip, and walking home from school, actors are very likely to betray the fact they are acting, but this presentation of the adult world of Grovers Corners was nearly flawless. Wilder's characters remind you of people you know, despite differences in dress and accent. And the cast, especially Dixi DeWitt (Mrs. Webb) and Edward O'Callahan (Dr. Gibbs) made these characters real, in Wilder's sense of universal types...

Author: By Stephen C. Clapp, | Title: Our Town | 5/8/1959 | See Source »

...swearing-in, sat on the carpeted floor with delighted schoolchildren visitors, charmed a delegation of Methodist churchwomen. Cracked he, as a photographer posed a group portrait: "I have to be careful who I stand behind. My wife sees these pictures, you know." Amid the badinage, Nelson Rockefeller did not betray by so much as a flicker of an eye the fact that his reputation as a political leader hung in the balance in that same grey building. The issue, stated simply, was money...

Author: /time Magazine | Title: National Affairs: Politician's Spurs | 3/16/1959 | See Source »

...wrote about three ex-cons instead of one. Ordered in superior court to identify the item's source, Watson would say only that he got it from "a prominent, respected law officer." He claimed no constitutional right, but refused to give the source's name because to betray a source would amount to "professional suicide...

Author: /time Magazine | Title: The Press: Code v. Law | 2/23/1959 | See Source »

...trial, Art Historian Réau admitted that he had authenticated a Fragonard on the basis of a photograph. This was current procedure, he pleaded. Snapped the public prosecutor: "When Réau and Cordovado betray their mission to protect the public, which is their moral duty, we have a twilight of the art critic gods...

Author: /time Magazine | Title: Art: Time to Jump the Experts | 1/26/1959 | See Source »

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