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...works. The difficulty was in admitting that the war had been made by men and was being continued ad infinitum by them." Fussell rejects Louis Simpson's theory that infantry soldiers so seldom render their experiences in language because "language seems to falsify physical life and to betray those who have experienced it absolutely--the dead." Fussell reduces the whole problem to this: it's not that war is indescribable, but that it's "nasty," and this contradicted the sensibilities of the times. The war's nastiness, certainly contradicted the sensibilities of the high culture Fussell embraces. His favorite poem...

Author: By Gregory F. Lawless, | Title: Out of the Trenches | 2/4/1976 | See Source »

...dear departed and long-suffering Mother Machree." Thus in Mur der at Cobbler's Hulk, a retired travel agent lives in fastidious loneliness near a remote village. A woman attacks his prim self-sufficiency. "No love. No drink. No friends. No wife. No children. Happy man! Nothing to betray you." She is proved wrong, for O'Faolain shows him capable of a drastic act of love...

Author: /time Magazine | Title: Books: Celtic Twilight | 1/26/1976 | See Source »

...aide as proof of his "love for The Netherlands." Others were less glowing, since Willebrands was not on the list of three nominees submitted by the Dutch hierarchy. Carped the Protestant daily Trouw: "The move possibly indicates a love for the Dutch church situation, but it certainly does not betray much confidence...

Author: /time Magazine | Title: Religion: Paul's Flying Dutchman | 1/5/1976 | See Source »

...saintly qualities still apply? Australian Anglican Ross Walker, a social worker in Canberra, says they have not changed much since Jesus' time: "Love, self-denial, continuing self-sacrifice and grace are all necessary." Though saints "like to keep what they do private," he says, their very personalities often betray them: "They are all inspiring, larger-than-life people...

Author: /time Magazine | Title: SAINTS AMONG US | 12/29/1975 | See Source »

...record rhythmic and warmly insightful juxtapositions is the genius of Shahn's photographs. They differ considerably from most of the best photography done in America during his era; these are gay documents of a world that the more gravely-inclined have seen as lonely and tragic. The difference may betray a lack of seriousness that prevents Shahn's work from being ranked with truly great photographers like Evans. But serious analysis is only one photographic possibility; Shahn was simply interested in seeing things wonderfully...

Author: By Bob Ely, | Title: Candid Camera | 12/18/1975 | See Source »

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