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Word: bets (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...would think of the rest of the TV show is not quite so certain. On the picture tube his man lives a little too high, operates with a little too much fash. The original would have looked at the posh bachelor apartment, the white convertible, the sharp wardrobe, and bet the lonely fin in his pocket that this guy was on the take from some wrongos...

Author: /time Magazine | Title: TELEVISION: These Gunns for Hire | 10/26/1959 | See Source »

...among the rebels' strongest supporters, were urging the F.L.N. to give De Gaulle "a constructive answer." Glumly, F.L.N. leaders faced the fact that the resolution condemning French policy in Algeria, which they had confidently expected the U.N. to pass this year, is now far from being a sure bet...

Author: /time Magazine | Title: ALGERIA: Entr'acte | 10/5/1959 | See Source »

...that every aggressive young executive dreams about. Cole replied with cool confidence: "I just happen to have some plans for expanding Chevrolet engineering, and I'm ready to show them any time you wish." G.M. appreciates that kind of action. Quipped Charlie Wilson to Cole: "I'll bet that's the first time you ever had your plans approved without submitting them." Cole's staff grew to 2,900 engineers...

Author: /time Magazine | Title: AUTOS: The New Generation | 10/5/1959 | See Source »

Many RCA pros bet that steady John Burns would wilt in the brightly lit world of entertainment. Instead, Burns outshone the lights. He boosted RCA's non-entertainment business by more than 30%, directed the company to new areas and products. Under Burns, RCA brought out its stereo tape-cartridge, the first successful one in the industry. Burns moved RCA strongly into circuitry, controls and computers. RCA has developed the first medium-sized, all-transistor computer, hopes to find a big market in paper-clogged Wall Street. Burns took over RCA's money-losing color-TV project...

Author: /time Magazine | Title: Business: Management's Renaissance Man | 9/7/1959 | See Source »

Just what this Gothic hoedown signifies is anybody's guess. Best bet is that Bergman intends it as a kind of spiritual autobiography, identifies himself both with the masked magician and the drunken actor, who dies with his battered top hat on, raving: "I always longed for a knife to free me ... Then what we call the spirit would rise up from the meaningless carcass." Cinemagician Bergman seems to see both men as despairing artists whose creative imaginations doom them to social obloquy and the distrust and disdain of hardheaded authority. What scant optimism there is in this fatalistic...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 7, 1959 | 9/7/1959 | See Source »

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