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While these students, unlike their professional counterparts, do not have the luxury of spending all their days dancing, their Harvard education informs their work for the better. “I think any creative process is an aggregate of one’s experiences,” Kuperman says of his two-plus years at Harvard. “I don’t doubt that the shows I’ve seen here, the museums I’ve been to, and the people I’ve met, have influenced what I think about and how I translate...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...There’s a lot of research on heterosexual attraction in the literature, so it was important to fill in what was missing in order to understand attraction better overall,” Glassenberg said...

Author: By Janie M. Tankard, CONTRIBUTING WRITER | Title: Gay Men Attracted to Masculine Features | 11/6/2009 | See Source »

...heaving, but we agreed to stay friends even after the misfortune that had brought us together was over. The other great thing was the food. Some people have said that the diet of soup and popsicles was unsatisfying, but these people are crazy. What’s better than soup? At every meal? Even if one tired of soup there were two flavors of popsicle—cherry and plain...

Author: By Zachariah P. Hughes | Title: A Quarantine Story | 11/6/2009 | See Source »

Those debating health care “need to tell people somehow how the reforms will affect them so they can better judge what their opinion will be,” said Benson, who is a research associate at the School of Public Health. He encouraged both supporters and opponents of the bill to focus the discussion on aspects that will realistically influence the American public...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: HSPH Studies Support for Health Care Proposal | 11/6/2009 | See Source »

Eschewing the simplistic, traditional structure of their other songs, the more uptempo “Almost Let You In” resists the stagnation with which the rest of the album flirts, and is one of the record’s better tracks. “Almost Let You In” features a comparatively complex and propulsive guitar melody. However, the addition of a distorted single-note piano line that glides like a phantom and the far-off stomp of the drums is what truly makes the song. The number also highlights the strength of the vocalists both...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

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