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Oscillating between abstract and figurative, drenched in symbolism, and at times verging upon the grotesque, Escobedo’s “Ladders to Fire” ignites the intimate gallery space of 263. Her work encompasses both a personal significance and a universal emotional resonance. The exhibition comes at...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: Escobedo Ignites 'Fire' with Solo Show | 3/30/2010 | See Source »

The history between Vloka and Ward is extensive, including many matchups on the national and even international level. At the 2006 U-17 world championships, Ward forged a comeback victory against Vloka to win the gold medal, 15-14. Last year, in the finals of the NCAA Championships, Ward defeated...

Author: By Catherine E. Coppinger, CONTRIBUTING WRITER | Title: Vloka Gets Back At Foe | 3/30/2010 | See Source »

The group sets out as their younger selves, reliving their past. Fearing the butterfly effect, though, they attempt to recreate events exactly as they had happened before. Throughout the entire film, the actors are shown in their mature, present-day bodies, despite everyone else in 1986 seeing them as adolescents...

Author: By Brian A. Feldman, CRIMSON STAFF WRITER | Title: Hot Tub Time Machine | 3/30/2010 | See Source »

Frodon discussed “None Shall Escape” in the context of his new book “Cinema & the Shoah,” an exploration of cinematic responses to the Holocaust. A complicated relationship between Hollywood and the Nazi Party, he explained, kept American cinema?...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: WWII Film Offers POV on Holocaust | 3/30/2010 | See Source »

To this, he answered, there is no easy response. He described one often-lamented instance of an American spy plane taking photographs of Auschwitz early in the war. Those photos, taken in hopes of locating factories rather than atrocities, went unnoticed. The line between knowledge and ignorance, then, was remarkably...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: WWII Film Offers POV on Holocaust | 3/30/2010 | See Source »

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