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Founded in 1867, the Peabody Museum boasts a uniquely comprehensive array of cultural objects. Throughout its existence, the museum has seen dramatic changes in the relationship between museums seeking indigenous artifacts and Native Americans. The Peabody has not only been an influential player in the development of modern conceptions of...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

In 1990, the Native American Graves Protection and Repatriation Act (NAGPRA) required that federally-funded institutions like the Peabody initiate dialogues with federally recognized tribes about the artifacts in museums. The Peabody’s collection of Native American artifacts is one of the largest in the nation subject to...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

But the conversations between the Peabody and the relevant tribes are not always defined by peaceful unanimity. “There are times that not everyone agrees,” Capone says.

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

Indeed, the line between lyrics and music is blurred throughout “Plastic Beach.” In their departure from rap and its focus on language, in search of a new, more sonic form of musical expression, Gorillaz have made their music and lyrics blend to form what...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Gorillaz | 3/9/2010 | See Source »

The form, along with the content, renders the book a single, prolonged conversation. At first glance, “Mean Free Path” appears to be a collection of short, untitled poems. But here, the absence of titles is significant; the obscured distinction between poems is strengthened by Lerner?...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Lerner Attempts to Reinvent Form in ‘Mean Free Path’ | 3/9/2010 | See Source »

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