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This energy continued into Francis Poulenc’s Concerto for Two Pianos and Orchestra in D minor, which featured 2009-10 Concerto Competition Winners Stephanie J. Brinton Parker ’10 and Lindsey R. Brinton ’12, who are sisters. The challenge of piano four hands...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

This disorder carries through with the needless use of live feed video. Many of the instances utilizing live feed seem to be the consequence of ill-conceived staging, such as the conversation between Ben (Hale Appleman) and Kewpie (a moving Karl Bury) in which both actors are seated on the...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

The complex interplay between characters demands much from the actors in a play that finds room for both comedic and dramatic moments. For the most part, the cast pulls it off. Kramer delivers as Clive, nailing the desperate, angst-ridden teen with a deliberately exaggerated performance, allowing for ambiguity concerning...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: 'Finger' Exercises Dramatic Control | 3/9/2010 | See Source »

“Five Finger Exercise” follows Louise Harrington and her husband Stanley (Matthew J. DaSilva ’12), whose conflicting attitudes towards culture are at one point described as “the difference between the salon and the saloon.” They force these...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: 'Finger' Exercises Dramatic Control | 3/9/2010 | See Source »

Walter’s unwitting participation in the family’s tangled romantic web provides narrative thrust, but the true purpose of the play is to investigate the dialectic between art and work, between high culture and low, as well as the challenges and responsibilities of family.

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: 'Finger' Exercises Dramatic Control | 3/9/2010 | See Source »

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