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Welsh National Opera’s (WNO) production of Richard Strauss and Hugo von Hofmannsthal’s “Ariadne auf Naxos” ran at the Boston Lyric Opera (BLO) from March 12-23 in its North American premiere. The production was worth shipping across the Atlantic...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

With irreverent glee, the WNO production transforms the “harlequins” of the original opera into a sort of rock band, dressed up in leather, tour T-shirts, and faded jeans. The Composer and his cadre become manifestations of the typical “classical establishment?...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

While these elements of “Terribly Happy” are effective, however, the shallow characters make the movie less than memorable. Robert, the protagonist, never once demonstrates self-reflection or divulges the motivations for his actions. It seems logical that as he increasingly reveals himself to be the...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Terribly Happy | 3/23/2010 | See Source »

One of the key features redeeming the complacency of most of the album is Deschanel’s voice, She & Him’s undoubted strength. Her vocals vary between soulful, childlike, and ethereal. Her voice adds enormously to the charm of otherwise run-of-the-mill songs. This is...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: She & Him | 3/23/2010 | See Source »

In “Checkpoints,” McPhee good-naturedly summarizes the unglamorous aspects of journalism: the deliberations about comma placement, the silly follow-up interviews, the tension between writer, editor, fact-checker and subject. It’s enough to deter many who, after the quiet delights of...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

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