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It’s a far more complex question, says Bevil R. Conway, a visiting lecturer in neurobiology at Harvard Medical School, and in trying to answer it, researchers like Conway hope to provide a window into the interplay between art and biology that shapes both how we perceive art...

Author: By Alissa M D'gama, CONTRIBUTING WRITER | Title: Neurobiology Looks To Shed Light On Vision, Art | 11/6/2009 | See Source »

Conway and Livingstone’s class, “What Art Can Tell Us About the Brain,” will introduce students to the fundamentals of visual neuroscience and then become more hands-on, with trips to local studios and museums so students can more intimately experience the...

Author: By Alissa M D'gama, CONTRIBUTING WRITER | Title: Neurobiology Looks To Shed Light On Vision, Art | 11/6/2009 | See Source »

For example, a large part of our visual system is color-blind—the parts that are evolutionarily older and are engaged in detecting motion and separation between figure and background, while the more primate-specific areas are color-selective, says Livingstone.

Author: By Alissa M D'gama, CONTRIBUTING WRITER | Title: Neurobiology Looks To Shed Light On Vision, Art | 11/6/2009 | See Source »

The shimmering in paintings is caused by this very discrepancy between the color-sensitive and color-insensitive parts of the brain. The effect seems magical to the viewer but is based on simple neuroscientific principles.

Author: By Alissa M D'gama, CONTRIBUTING WRITER | Title: Neurobiology Looks To Shed Light On Vision, Art | 11/6/2009 | See Source »

The book is structured around the encounters between an elusive narrator and Austerlitz, to whom Austerlitz tells his story in instalments, “speaking not so much to me as to himself,” says the narrator. So marginal is the narrator’s presence in the...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: A Haunting Magnum Opus | 11/6/2009 | See Source »

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