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Lesley Ann Warren ages 38 years in six hours in the upcoming NBC-TV epic Beulah Land, about ante-and post-bellum days on a Savannah, Ga., plantation. For good ole boys, the best scenes are ante. Prewar Warren is a demure but determined plantation mistress arching through Georgia with much of her Mason-Dixon lines swelling out of Deep South decolletage. Beulah Land was actually filmed in Natchez, Miss., where plantations have been preserved and the Southern accent is so pervasive that the Manhattan-raised actress found it easier to slip into y'alls than into cum bersome...

Author: /time Magazine | Title: People, Mar. 10, 1980 | 3/10/1980 | See Source »

Williams' plot is a 400-acre island that was created when Hurricane Beulah changed the course of the Rio Grande in 1967. Because the island is south of the main river channel, the U.S. decided that the land was Mexican territory. Mexico, however, refused to accept ownership. So Williams bought the island from Mexican citizens for $400,000. By his reckoning, the 19th century Mexican treaties of Iguala and Guadalupe pave the warpath for him: they give Cherokee Indians the right to establish a nation...

Author: /time Magazine | Title: AMERICANA: Birth of a Nation | 12/25/1978 | See Source »

...long ago that blacks were all but invisible on American television, except for those playing servants, like Jack Benny's valet Rochester or Ethel Walers in Beulah. As recently as 1968, a sponsor became apoplectic when Singer Petula Clark touched Harry Belafonte on the arm during a show. Some TV producers are apt to congratulate themselves for displaying so many blacks on TV now; even though mostly bad, the shows come weighed down with all kinds of pretensions to relevance...

Author: /time Magazine | Title: Time Essay: Blacks on TV: A Disturbing Image | 3/27/1978 | See Source »

...saddest include Beulah (homely, plodding) and Irvin, listed simply as "a schlemiel...

Author: /time Magazine | Title: The Sexes: The Name Game | 9/26/1977 | See Source »

...proposition from the director's point of view. The performances though, are simply impeccable. There was a stock of oldish actors in Hollywood in the thirties that a studio could draw on to play the ancient, sweet and wise. This picture has two of the best--Victor Moore and Beulah Bondi. Moore especially, hesitant, stuttering and practically irresistible had already cleared a career as one of Broadway's great musical comedy stars (he was the original Alexander Throttlebottom in Of Thee I Sing) when he made this movie and his appeal is immediately self-evident. The next night...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 5/15/1975 | See Source »

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