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...wood outside Athens where it occurs. Shakespeare wrote about mortals and spirits tangled in a complicated web of deception and enchantment. In Benjamin Britten's operatic version of the play the twinings of reality and illusion combine to confuse all the wanderers in the wood. The fairies bewitch the mortals and each other, the mortals get lost and easily fall prey to the fairies' spells. But all, human and immortal alike, are animated by the glades and avenues within the forest and they all grow together...

Author: By Diana R. Laing, | Title: Thickets of Enchantment and Illusion | 4/16/1977 | See Source »

Lady Golconda's maternal grandsire is Bull Lea, who was to racing just after the Second World War what Bold Ruler is to present-day racing. Bull Lea not only sired triple crown winner Citation, but also Coaltown, Armed, Bewitch, and many other superb horses. Unlike Bold Ruler, Bull Lea established his reputation on a limited number of high quality mares, without the benefits of the recent influx of fine imported bloodlines. Finally, Lady Golconda traces in tail female to Nellie Flag, a granddaughter...

Author: NO WRITER ATTRIBUTED | Title: Letters to the Sports Editor | 4/23/1976 | See Source »

...much affluence? Last week Semanticist S. I. Hayakawa of San Francisco State College suggested that the answer to so much disaffection among the young is television. TV, said Hayakawa, addressing the annual convention of the American Psychological Association in his home town, is a "powerful sorcerer." It can bewitch children into becoming alienated and rebellious dropouts or even drug addicts. "Parents and relatives and teachers may talk to them, but the children find them sometimes censorious, often dull. The child who watches television for four hours daily between the ages of three and 18 spends something like 22,000 hours...

Author: /time Magazine | Title: The Audience: Kids Turning On | 9/13/1968 | See Source »

...efforts of a plain girl's father and brothers to find her a husband before she reaches the no-takers age. Lizzie (Inga Swenson) knows as much as any man, but she scorns what every woman is supposed to know-how to flutter, flatter, bewilder and bewitch...

Author: /time Magazine | Title: Theater: Parched | 11/1/1963 | See Source »

...instance: the heroine of this picture (Janet Blair), wife of a sociology professor in a small English college, is a witch. Having learned black magic from a sorcerer in Jamaica, she comes back to Britain laden with abracadebris (dead spiders, pickled fingers, esoteric herbs) and secretly begins to bewitch her husband. Her motives are wifely in the best bourgeois tradition: she only wants to keep her husband safe from other witches, and to make sure he does well in his job. He does very well indeed. Before the first reel runs out, he seems certain to become chairman...

Author: /time Magazine | Title: Cinema: Toads in the Tea | 4/20/1962 | See Source »

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