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Word: beyond (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...President Roosevelt's policy is to keep us out of war, and war . . . would bring to this country chaos beyond anybody's dream. This . . . overshadows any possible objection to a third term...

Author: /time Magazine | Title: THE PRESIDENCY: Smiling Sphinx | 12/18/1939 | See Source »

...Furthermore, the completion of all this work places the French High Command in a position to attempt maneuvering operations, going beyond the defensive phase on the day and at the hour it may suit it eventually...

Author: /time Magazine | Title: World War: Boast & Threat | 12/18/1939 | See Source »

...meant that these positions have now been lengthened at both ends, and also increased in depth, on the same principle as the Siegfried Position-a network of strong points capable of being extended backward indefinitely should they be cracked in front. In psychological terms, the mention of "maneuvering" and "beyond the defensive phase" seemed to mean: "Germans, not only can you neither crack nor flank us, but we are now so strong we can move out to meet you in Belgium or The Netherlands or Switzerland, or anywhere else that you may strike-even in the Balkans-and indeed...

Author: /time Magazine | Title: World War: Boast & Threat | 12/18/1939 | See Source »

...Cherry Hill prison. One night last week, over Philadelphia's KYW, the inmates of 110-year-old Cherry Hill staged their Christmas musicale. Sixteen pent-up voices serenaded The Little Man Who Wasn't There; assorted whistlers, fiddlers, ladybug plunkers whanged away at heart strings beyond the walls. But the tune that dampened the eyes of Warden Herbert ("Cap") Smith and beefy Deputy Tom Meikrantz was a Chinese prisoner's song, written and sung in quavery, North China dialect by Canton-born William Yun. (Yun was jailed six weeks ago for working the badger game...

Author: /time Magazine | Title: Radio: Carols at Cherry Hill | 12/18/1939 | See Source »

...wooded scenes and luxuriant foliage, done in a swiftly executed, impressionistic manner. Sargent represented nature in a style that certainly indicates that he knew what he was seeing; Hopper, however, interprets nature in a way that leads one to believe that he can understand certain things which lie beyond his immediate field of vision. In other words, Hopper is the more intelligent, consequently the better painter...

Author: By Jack Wilner, | Title: Collections & Critiques | 12/11/1939 | See Source »

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