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...Actors. Whatever the Theatre Guild does, it does well. Directors John Houseman and Herbert Biberman were up against a particularly difficult task in casting Valley Forge. They had to get actors who looked like Colonial revolutionists instead of a table full of diners at Sardi's theatrical restaurant. And they had to get actors who could speak Playwright Anderson's semi-versified lines with conviction. Stanley Ridges is a particularly happy choice for the character of hard bitten Lucifer Tench. No less happy is the casting of Margalo Gillmore as the full-blown, romantic Mary Philipse. As Washington, Philip Merivale...

Author: /time Magazine | Title: The Theatre: Washington, by Anderson | 12/10/1934 | See Source »

Size was the big thing about the Municipal Show. In 33 multicolored galleries were decently spaced 1,250 exhibits by some 450 artists whose styles ranged from the clatter of a Biberman to the dignified craft of a Watrous. Included were such familiar U. S. names as Sterne, Burchfield, Speicher, Hopper, O'Keeffe, Jo Davidson (who did a special LaGuardia bust) Benianimo Bufano, Mahonri Young...

Author: /time Magazine | Title: Art: 25 | 3/5/1934 | See Source »

...Miracle at Verdun opened in Leipzig last October, he sank into unconsciousness, died without knowing of the show's success. The son of a military man, a one-time military student himself, he loathed war, wrote his play in protest against it. The Guild, under Director Herbert J. Biberman, has given Miracle at Verdun a skillful presentation. It is overlong (three hours), lets one down a little at the end. but is a tremendously interesting and audacious piece of modern theatrical technique...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Mar. 23, 1931 | 3/23/1931 | See Source »

...Roar-China! liberal-minded spectators should find little direct Soviet proselytizing to annoy them. Any spectator will probably be moved by the scenic grandeur, the bold theatrics of the production. To Director Herbert Biberman goes praise for capable direction, for assembling and managing his mob of 67 Chinese, 15 Occidentals. And Lee Simonson's setting which uses real water, real boats, almost a real battleship, is noteworthy in itself...

Author: /time Magazine | Title: The Theatre: New Plays In Manhattan: Nov. 10, 1930 | 11/10/1930 | See Source »

...authors seem to imply that the Soviet cause will ultimately be purified. Full of good talk and temperamental skirmishes, the play reveals a sophisticated degree of analysis. It is the first production of the Theatre Guild Studio, experimental offshoot of the Theatre Guild employing its younger members. Herbert J. Biberman, onetime Guild stage manager and product of Professor George Pierce Baker's Yale School of Drama, directed the play and appears to great advantage as the sardonic, vicious Terekhine...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 30, 1929 | 12/30/1929 | See Source »

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