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Irwin's technique, therefore, is to turn off the spectator in the very act of turning him on. Not all enjoy the treatment. When Irwin's early canvases were shown at the 1965 Sao Paulo Bienal, Brazilians were so incensed that they slashed, kicked and spat at them, presumably while the guards were not looking. Manhattan Collectors Burton and Emily Tremaine hung an Irwin in their art-filled living room, found that it haughtily negated everything else there "like a nun at a cocktail party." Reluctantly, they took it down...

Author: /time Magazine | Title: Painting: Light on Light | 5/10/1968 | See Source »

...sunglasses: more than 450 works of op, pop, ob, blob, kinetic and frenetic art jump, creep, twitch, jiggle or blaze from every conceivable wall and cranny. Some of Mayer's purchases are spectacularly fine, including Robert Rauschenberg's Buffalo II, a recent star at the Sao Paulo Bienal. Many others are simply spectacular. For, as Mayer is the first to admit, he has something of a glass...

Author: /time Magazine | Title: Collectors: A. Life of Involvement | 3/29/1968 | See Source »

...race of creators who have discarded modeling clay in favor of blueprints, the chisel in favor of the welding torch, and Vulcan's forge for a sheet-metal fabrication shop. This is the era, says William Seitz, organizer of the U.S. show at the São Paulo Bienal, of "sculptors without studios-sculptors who have their drawings turned into steel at a factory...

Author: /time Magazine | Title: Sculpture: Master of the Monumentalists | 10/13/1967 | See Source »

...late U.S. Sculptor-Welder David Smith or to Britain's Richard Smith, whose shaped canvases won the grand prize at the current Sao Paulo Bienal. -Not all fabricators do such good work. A duplicate of Die was ordered from a Los Angeles firm for last spring's County Museum sculpture survey show, but its surface is badly scratched and, for lack of proper interior bracing, it has an oddly flimsy look...

Author: /time Magazine | Title: Sculpture: Master of the Monumentalists | 10/13/1967 | See Source »

...years, the Sao Paulo Bienal, held in odd-numbered years in Brazil's larg est city, has played poor relation to the more prestigious Venice Biennale, which is held in even-numbered years. Nonetheless, the ninth Sao Paulo Bienal, which is beginning its three-month run in the city's Niemeyer-built exhibition hall, this year bids fair to rival Venice...

Author: /time Magazine | Title: Exhibitions: Shape for the Future | 9/29/1967 | See Source »

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