Word: biennials
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Dates: during 1960-1969
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James A. Culpepper '64 has won the biennial Phyllis Anderson Award for the best play by a Harvard undergraduate...
Best show of the year to assemble the artifacts of the new sculpture revolution is Manhattan's Whitney Museum sculpture biennial, which opened this week with works by 123 sculptors, 50 of them newcomers. Variety is the show's sole common denominator, but the overall impression leaves one fact inescapably clear: the past decade has changed sculpture more than it changed in all the time between Michelangelo and Rodin. Sculpture is no longer a quintessence of form, something to be isolated, set apart and contemplated. Instead, sculpture may plug in and light up, move by machinery or breezes...
Alumnae came all the way from Mercer Island, Wash., and La Jolla, Cal., to attend the sixth biennial Radcliffe College Alumnae Council. Over 100 of the remaining delegates were from Massachusetts...
...biennial Council replaced the annual Conference of Radcliffe Representatives for several reasons...
...bold muralist whose works form walls in churches, hospitals and universities across Spain, even an 8,611-sq.-ft. bulwark in an electrical plant in Grandas de Salime. His murals are close to "official" art, full of public consciousness, but when he won first prize at the 1963 Paris biennial, it was awarded for his feverish blend of abstraction and figuration. Vaquero Turcios fears gimmickry in the Spanish preoccupation with paint as material rather than illusion. But he himself uses a latex and plastic mixture on pressed wood, or even plaster, as in the sails of his Homage to Rodrigo...