Word: bierring
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...statement of scriptural simplicity. By noon the Pontiffs body was laid in the frescoed splendor of the Clementine Hall in the Apostolic Palace. Romans and tourists formed a mile-and-a-half queue that wound around St. Peter's Square to pay then- respects to the Pope. At the bier two nuns in blue, overcome, rushed through a gap in the wooden barrier to kiss the dead Pope's hands. White-tied Vatican ushers rushed forward, hissing, "Perfavore, suore!" (Sisters, please!). In the line, New Jerseyite Diane Rapp, 23, remarked, "He was a young people's Pope. He died...
...kindred point: "Not to laugh at the 20th century is to shoot yourself." Yet the sad fact is that mirth in the U.S. is neither what it once was nor what it might be. As early as 1968, in The Rise and Fall of American Humor, English Professor Jesse Bier solemnly declared that "we are in great part humorless as never before." Other humor experts, who cannily refuse to be associated with their opinions, believe that laughter has continued to dwindle because Americans are losing their former skill at recognizing humor when it comes along unannounced. The good news: relief...
...heartland, he was honored as if he had. Not only was his body flown to Washington on the plane that had carried the bodies of John Kennedy and Lyndon Johnson, but it also lay in state beneath the dome of the Capitol Rotunda on the same bier that had held Abraham Lincoln and J.F.K...
...obstinate. With his own people, however, he was warm and effusive. Although he suffered a mild heart attack earlier this year, Cypriots were unprepared for his death. The vigorous archbishop had never really designated a successor. The mourning, as a result, was electric as Greeks filed past the bier, where he lay in splendid gold crown and mantle. The Greek Cypriot government declared a 40-day mourning period...
When Raphael suddenly died in 1520 at the age of 37, his last work, the Transfiguration, was acclaimed as a masterpiece by the file of Cardinals and connoisseurs who trooped past his bier and saw the painting near by. The strong, graceful figures, the supple, continuous modeling, the ecstatic vision of a gravity-free Christ rising into the air above Mount Tabor-these struck Raphael's admirers not only as the quintessence of his style but as a climax of the entire Renaissance system of ideal figure painting...