Word: big
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Dates: during 2000-2009
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This news arrives just as many of the cereals with the worst nutrition ratings are being adorned with the food industry's new "Smart Choices" label, a big check mark designed to assure consumers that a product is good for them. The label is being put on hundreds of items, from mayonnaise to ice cream, so why are the Rudd researchers so hopped up about cereal? Because it is more heavily advertised to kids than any other packaged-food category. And because cereals can qualify as "Smart Choices" even if they have 12 g of sugar - that's about three...
...them produced at respected Second City theaters like Steppenwolf and Chicago Dramatists, he still needed a day job--editing for a medical website--to help support himself, his wife and their 8-year-old daughter. Yet now he's a Broadway hot ticket. True, he has a couple of big movie stars to thank--Daniel Craig and Hugh Jackman, who were somehow persuaded to star in his play A Steady Rain. But they're only helping affirm a hard truth for New York City's sometimes insular theater community: the Chicagoans are taking over...
Unless you're a musical or an import from London, you'd better have a Chicago accent to make it in the Big Apple this season. The second major play to open on Broadway this fall is another Chicago product: Superior Donuts, Tracy Letts' follow-up to August: Osage County, his multi-award-winning family drama that stormed Broadway nearly two years ago and is now on a national tour. Chicago theater's most celebrated export, David Mamet, will be represented on Broadway with two works this fall: a revival of his 1992 drama Oleanna and a new play, about...
...work for him, and Oleanna, Mamet's scathing account of a bogus sexual-harassment charge that was too polemically freighted back in 1992 and has the added disadvantage of seeming dated today. But collectively, they showcase much of what makes Chicago theater so distinct and vital. The City of Big Shoulders produces big-shouldered theater as well--thematically ambitious, emotionally juiced, socially impassioned. It's a contrast to the hothouse quality of so much current New York theater: wispy memory plays, absurdist satires, Manhattan-centric relationship dramas, many written by gay playwrights on gay themes. Not that there's anything...
Beevor is not a writer much given to profound reflection. His big-picture take on D-day could be summed up as, It could have gone better, but it's amazing that they did it at all. Yet with its rigorous research and its wealth of human detail, D-Day is a vibrant work of history that honors the sacrifice of tens of thousands of men and women. Which is serious praise...