Word: bigelows
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...larger ache of an Iraq tour: how men in peril survive. Finally comes The Hurt Locker, a scary, thrilling patrol of those Baghdad streets by men who defuse IEDs. Written by journalist Mark Boal (whose reporting was the basis for Elah) and directed by action-movie maven Kathryn Bigelow, this film looks, feels and smells real; you'll need to rinse off the grit after seeing...
...athlete or a master serial killer--anyway, some gifted obsessive. A quote from Iraq expert Chris Hedges that opens the film reads, "War is a drug." Movies often editorialize on this theme: the man who's a misfit back home but an efficient, imaginative killing machine on the battlefield. Bigelow and Boal aren't after that. They're saying that, in such an infernal peacekeeping operation, the Army needs guys like James...
...Bigelow is a man's director who happens to be a woman. She's paraded her adroitness in two odd subgenres: Near Dark was a nifty teenage-vampire love story, Point Break the all-time surfer-heist movie. She loves to locate affinities in people with opposite agendas, and vice versa; so James is often isolated from his comrades, while he gets into recklessly close contact with the Iraqis. Bigelow is also a whiz at discovering fresh talent, and in Renner she hit the jackpot. The actor is ordinary-looking, pudgy-faced, quiet; can he carry a big film...
...master psychopath, maybe both. A quote from former New York Times Iraq expert Christopher Hedges that opens the film says, "War is a drug." Movies often editorialize on this theme: the man who's a misfit back home but an efficient, imaginative killing machine on the battlefield. Bigelow and Boal aren't after that. They're saying that, in a hellish peace-keeping operation like the U.S. deployment in Iraq and Afghanistan (James' previous assignment), the Army needs guys like James...
...heart of the film is a half dozen sequences, most of them on bomb-squad detail, one long, terrific one showing the unit holed up with some Brit mercenaries (led by Ralph Fiennes, the star of Bigelow's 1995 futuristic movie Strange Days) fighting off fire from al-Qaeda-in-Iraq types out in the desert. Boal and Bigelow know that there's enough tension in the act of walking up to a bomb and trying to defuse it; they don't have to amp up the suspense with theatrics...