Search Details

Word: bigly (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...tryout in Washington, Annie was again fed up with the idea of marriage. "The play had become vitally important to me," she says matter-of-factly. "There was no time or energy for anything else." There was also another complication: her Catholicism. Says she: "The church is still a big part...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...executives often rise with giddy speed to their high perches, teeter briefly, then disappear with the first rough wind, it is perhaps because they have little administrative and command background for the big job. And so some hang on, but many fall...

Author: /time Magazine | Title: TELEVISION: Quizzard's Exit | 12/21/1959 | See Source »

...Abner (Paramount), the Hollywood version of the Broadway version of Al Capp's comic strip, is a great big overblown pink-walled synthetic two-time reCapp. Like all Capp, it is Rabelais for the retarded, but it will probably carry an impressive bundle to the bank...

Author: /time Magazine | Title: Cinema: New Picture, Dec. 21, 1959 | 12/21/1959 | See Source »

...declared "the most unnecessary place in these U.S.," and selected as the site of the next A-bomb test. Dogpatch is dramatically saved when Mammy Yokum (Billie Hayes) produces the only surviving specimen of the Yokumberry tree, whose fruit distills a tonic that can make any man as big and strong and beautiful as Li'l Abner (Peter Palmer). Then the plot thickens as the villain (Howard St. John) slinks upon the scene in the form of that well-known Cappitalist, General Bullmoose ("What's good for General Bullmoose is good for the U.S.A."). His plot: to secure...

Author: /time Magazine | Title: Cinema: New Picture, Dec. 21, 1959 | 12/21/1959 | See Source »

...millions of unflagging fans will find satisfactory answers. In the Broadway musical, the Capp characters were type-cast with amazing accuracy, and most of the Broadway players are there in the Hollywood production. The show's score (words by Johnny Mercer, music by Gene de Paul) is the big letdown: a chance to make good mountain music is passed up in favor of bad Broadway tunes. But the story gallops along, and the dancing scenes preserve the essential whomp. They'll love it in Lower Slobbovia...

Author: /time Magazine | Title: Cinema: New Picture, Dec. 21, 1959 | 12/21/1959 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Next