Word: bigs
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Dates: during 1940-1949
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...Mark III do? For one thing, it can multiply two 16-digit numbers in a little more than twelve one-thousandths of a second. But this prodigious speed gives little idea of the machine's talents. Its strong point is its "inner memory." This "memory" consists of nine big aluminum cylinders revolving up to 7,200 r.p.m. Their surfaces are coated with black magnetic material. Huddled around them are staggered rows of little brass blocks enclosing electromagnets. When a brief electric impulse flashes through an electromagnet, it prints a dot of magnetism on the spinning cylinder's surface...
...big question among Americanists (experts on New World anthropology) is: How original were the American Indians? The orthodox theory is that the first Indians immigrated from Asia (via Alaska) in the cultural nude and built the civilizations of Mexico and Peru without outside help. A minority theory agrees that the original immigrants were pretty bare of culture, but insists that Indian civilization got plenty of helpful hints from across the Pacific...
Most of the work of Tournai's great years was unsigned, the loving labor of anonymous monks and artisans identity had been lost through the centuries. But a few big names survived for the town to boast about: Master Illuminator Jean de Tavernier and Tapestry-maker Pasquier Grenier, whose works, commissioned by the great lords of the 15th Century, are now treasured by the museums and libraries of Europe; Painters Roger van der Weyden, Robert Campin and Jacques Daret, whose realistic detail and rich color placed them in the vanguard of the great Flemish artists of the Renaissance...
Last week, with its big show drawing to a close, things were looking up for Tournai's present-day artists and craftsmen. The Belgian government had given Tournai tapestrymakers a 3,500,000-franc order, a new ceramics industry was being planned, the bell foundry was negotiating for a couple of big U.S. orders...
...President Coolidge sent his regrets to the Paris Exposition of Decorative Arts: the U.S. had "nothing to contribute" in furniture design. Last week a big, glossy exhibit, "For Modern Living," was showing visitors to the Detroit Institute of Arts how the U.S. has caught up in a quarter-century...