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Word: bigs (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Conception of an Oath. In contrast to the first trial, proceedings went calmly and methodically. Once Hiss's lawyer, Claude B. Cross, suggested: "I don't like to interrupt, but I believe that is irrelevant." Big, austere Judge Goddard stroked his chin. "You are probably right. But it really isn't prejudicial to your client. Let's let it stand...

Author: /time Magazine | Title: THE: The Opened | 12/5/1949 | See Source »

...Suite A on the 37th floor of Manhattan's Waldorf-Astoria Hotel, one of the postwar era's longest, most secretive conferences was entering its third year. High above Park Avenue, the deputies of the Big Four Foreign Ministers have been trying to write a peace treaty for Austria. Last week, as they moved into their green leather chairs for their 238th meeting, some news filtered out of Suite A, and it sounded good. There had been some concessions on both sides...

Author: /time Magazine | Title: International: Progress in Suite A | 12/5/1949 | See Source »

...Paris, thousands of workers went to their jobs on bicycles, in private cars, in big blue sightseeing buses mobilized by the government. One energetic bank clerk arrived on roller skates. Across France, food shops, department stores, restaurants were open, mail was delivered. One of the Socialists' own cabinet ministers called the strike a "fiasco." But the Communists had different ideas on what was good advertising: they triumphantly labeled the strike a succès éclatant...

Author: /time Magazine | Title: FRANCE: Does It Pay to Advertise? | 12/5/1949 | See Source »

Russia's composers had spoken their apologies for their past sins of "formalism" and "bourgeois ideology," and promised they would try harder to stay in the right key. Last week, the big brass of the Soviet Composers' Union assembled at the Moscow Conservatory to hear if all the promises had been kept...

Author: /time Magazine | Title: Music: Glory to Stalin | 12/5/1949 | See Source »

...salt cellar wrought by Benvenuto Cellini. But the finest treasures of all in the $80,000,000 loan exhibition had been put together with only a few dollars worth of paint and canvas. Among them were seven Tintorettos, twelve Titians, nine Rubenses, six Velasquezes, Dürer's big, bloody Martyrdom of the 10,000 Christians and Vermeer's marble-cool masterpiece, The Artist in His Studio...

Author: /time Magazine | Title: Art: Crush & Culture | 12/5/1949 | See Source »

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