Word: bikel
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Dates: during 1950-1959
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...ticket than the new Rodgers and Hammerstein musical, The Sound of Music. A sentimental evening with the famous Trapp family of singers, the show tells the story of Maria Rainer (Mary Martin), the young postulant from an Austrian convent, whose love for a widower, Captain Georg von Trapp (Theodore Bikel), and his seven children displaces her desire to become a nun. As one theatergoer summed it up: "Nellie Forbush in The Nun's Story." The advance sale has already passed...
...Theodore Bikel, a considerably older pro than Curtis or Poitier, turns in a fine performance as the sheriff. No one else is much good...
...bound them irrevocably together, and Curtis plunges after him to sure capture by the law. Behind the coupled heroes, the moviemakers have sketched a mud-grimed tableau of the blood-happy townsmen giving chase and a soul-weary sheriff-played to sunken-eyed, raspy-throated perfection by Theodore Bikel. If Sidney Poitier's wild-eyed, bare-fanged portrayal of Cullen is overwrought, it has at least prodded Teen-Agitator Curtis into the first performance of his career that will incline the old folks to a modest whoop...
...judges, Joan plays out the great scenes of her life: the coming of the voices, the assignations with angels and the beating she got when her father thought they were men, the political rehearsal with a rural winesack (Theodore Bikel), the advent at Chinon, the brotherhood in arms (Bruce Gordon) and the rich reek of fighting France -stale wine, hot harness -that kept her head clear through the glory and the banners and the blood. Scene follows scene without shift; past follows present follows past as sun follows shadow on a dappled day. As Joan strides through her story...
...American context to heighten her joyful spirit, so the other characters have been adapted with varying degrees of success, however. Boris Karloff is a restrained and very effective Cauchon. While he is sympathetic, the role demands an unwavering conception of duty which permits little new interpretation. Theodore Bikel, as Robert de Beauricourt, is properly rowdy but perhaps a victim of the incongruity of French and American vulgarity. His almost Prussian manner may be an attempt to breach the gap, but it is an inadequate one. If Christopher Plummber had rendered Warwick American-style, the result would have been ludicrous. Happily...