Word: bilancioni
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...Sica wants. Toto, Italy's Chaplin, is exquisitely funny. Loren's parts fit beautifully into the whole. Mangano for once is convincing, and Paolo Stoppa, as a man who wants all the pleasures of suicide without its aftereffects, is superb. Perhaps best of all is little Piero Bilancioni, who sits to his cards with the ancient face of sin itself. Indeed, Director De Sica's imagination is everywhere so vital, his control of it so gracious and exact, that his meaty little street scenes assume a classic form, a flavor rather like Aristophanic ravioli...
...wife. The lady, of course, cut off her husband's funds at once, and his fever for the tables raged in impotence. Every day, when he went for his walk, the count would bully the doorman, who, fearing for his job, would force his son (Piero Bilancioni), a boy about ten years old, to play cards with the old rip for the usual stakes: everything the nobleman said he owned against the common bumf that fills a boy's pockets. Invariably the boy would win in a breeze, and the no-count count, pitiful and terrible...
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