Word: bilbao
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...consciousness style. Instead, by freely celebrating the emotional impact of skyscrapers and other structures, the author and longtime New York Times critic changed the way people think about architecture. In a characteristically exuberant 1997 article that brought him national attention, he likened Frank Gehry's Guggenheim Museum in Bilbao, Spain, to Marilyn Monroe. (The building had a "voluptuous style" and an apparent urge to "let its dress fly up in the air.") Muschamp was 59 and had lung cancer...
...banning bullfights altogether in the city; 42 other cities and towns have declared their opposition to the sport. Spain's antitaurinos, as those opposed to bullfights are called, are gaining momentum, with scores of demonstrations and protests held across the country in places with a significant bullfighting tradition like Bilbao, Madrid and Seville. "In reality we are the real taurinos, the bull lovers," says CACMA president Antonio Vicente Moreno Abolafio...
...Comprising 68 artists, from earnest Abstract Expressionists to punning Postmodernists, the show follows a similar pattern to the one seen in Bonn earlier this year, and commemorates the 70th anniversary of the Solomon R. Guggenheim Foundation, the New York-based art behemoth that has spread its museum tentacles to Bilbao, Berlin, Las Vegas and, perhaps next, Abu Dhabi. But what makes these five works stand out is not only the fascinating fingerprint of one of the 20th century's most influential collectors but the almost unbelievable logistics of bringing the works (conservatively valued at $15.3 million) by crane, boat, truck...
...custom-built fireproof pine case. In Venice, the five boxes were lifted by crane onto a barge in front of the museum and borne to the port of Tronchetto, from where they were trucked to Frankfurt to join a cargo flight with about 50 crates from Guggenheim Museum Bilbao. Watching every inch of the way to Melbourne was Rosin-"kind of like a dog," he says. When his prizes were delivered at the NGV, Rosin allowed the crates to acclimatize for 24 hours before completing his color-coded condition reports. Only then could installation begin. "You go to an exhibition...
Once you get inside, classical references are out, plunging diagonals are in. And though the gallery spaces are intricately conceived, they don't compete with the art, a complaint that's been raised against Frank Gehry's Guggenheim Museum Bilbao and Daniel Libeskind's addition to the Denver Art Museum. "I wanted a building that artists would appreciate," says Holl. So at eye level the galleries maintain their composure. It's overhead where he gets busier, playing with tilted ceilings and oversize curving alcoves that operate like cloud formations--meaning there's always something interesting going on up there...