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...arrangements are simple and usually rely on battling guitar lines over simple drum patterns. Considering this, it’s surprising how much of the 30-minute album is devoted to instrumental—the first song is entirely free of vocals, and on several others, Billotte??€™s voice only enters after a lengthy introduction. These instrumental bits are difficult to take on their own, too angular to work as kitschy surf-rock, but too stripped-down to be as effectively melodic as the pre-punk greats like Link Wray, whom the band seems to pay homage...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: New Music | 3/5/2004 | See Source »

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