Word: bimbo
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Dates: during 1980-1989
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...classic bimbo comes in, a sincere (as opposed to commercial) bimbo, a woman who has chosen her life-style and works hard at it. She is accompanied by a bimbo-in-training, a young woman who has not yet imagined all the places blusher can be applied. Both wear draped and beaded jersey jumpsuits. It is hard to go to the bathroom in such garments, and the subsequent readjustment involves lots of friendly bantering with the attendant...
...Degenerate" is an acknowledged category of gambler in Las Vegas, one step ahead of "compulsive" on the road to ruin.) In perfect synchronization, the two women lean over with brushes in both hands, and each beats her hair into a froth. Upright again, both declare, "Ugh! Straw!" The little bimbo says, "I'd never put color on my hair. People would think I was phony...
...women usually picked to symbolize change and re-evaluation are those like Gloria Steinem and Jane Fonda, who have achieved a popular success that has turned them into celebrities. Steinem therefore becomes an articulate and snazzy figurehead, Fonda a role model whose movie trajectory (from bimbo to feminist beacon) mirrors very neatly the way in which women are supposed to see themselves. Watching and listening to them, though, is not as striking by half as tuning in on a single studio audience of the Phil Donahue Show. Fifteen years ago, these same women might have been sitting in the same...
...minute intermissionless drama that most key crises in Frances' life happen offstage or that so much time is spent with peripheral characters about whom one could not care less. The language bruises the ear, ricocheting between period brassiness ("There's one slick bozo," "There's this bimbo there givin' me the glad eye") to sorry flights of pseudopoetic home truths. On the other hand, the nickelodeon-like music of Claibe Richardson tickles the ear. Apart from Dunaway, the only one who threatens to run away with the show is Designer John Lee Beatty, whose delightfully real...
...tired of the game, he refuses to quit He wants an answer. His wife Jo (Frances Conroy) stops him, however, with a game of her own. One by one she tells their friends exactly who and what they are: Fred is a crude redneck, and Carol is his latest bimbo; Edgar is a spiritual cripple, and his wife Lucinda is an irritating bore. But everyone forgives Jo because she is visibly dying of cancer and is just radiating a part of her own intense pain. Jokes Edgar: "Any well-stocked larder should have ridicule and contempt...