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...Bing had been met that March night by Manager Johnson and a little knot of gracious but sharp-eyed Met directors. They apparently liked what they saw: a tall, fastidious man of 47, with charm and a manner of quick, cool decision. At lunch next day, they raised a question: would he consider leaving Glyndebourne and his great Edinburgh Festival (TIME, Sept. 20) to succeed retiring General Manager Johnson in 1950? Rudolf Bing considered it carefully. The Met's directors liked him even better for the way he candidly answered their questions about his policies and prescriptions for curing...

Author: /time Magazine | Title: Music: New Man for the Met | 6/13/1949 | See Source »

...Glyndebourne Opera's Rudolf Bing was relaxing in his Manhattan hotel room before returning to London. He had just finished a business errand for Britain's crack opera company; Glyndebourne's U.S. debut at Princeton, N.J. had been set for autumn 1950, and Bing was well satisfied. Then his phone rang. His faintly accented "Hello" was answered by the mellow tenor tone of the Metropolitan Opera's Edward Johnson. Could Mr. Bing attend a performance as his guest? Rudi Bing said he would be delighted. Last week, operalovers the world over learned that Rudi had seen...

Author: /time Magazine | Title: Music: New Man for the Met | 6/13/1949 | See Source »

Fair Shake? Last week, in London, Rudolf Bing thought over his new job of running the world's greatest opera house-an institution which went $233,000 into the red in 1947-48, and almost failed to open last season at all, until its unionized workers unwillingly agreed to pass up raises. In his forthright way, Bing had lots of confidence. The job had "just blown up suddenly," he said, but it apparently was not too much of a surprise: "For 15 years, I have known that some day I would reach that goal...

Author: /time Magazine | Title: Music: New Man for the Met | 6/13/1949 | See Source »

Snakes' Chase. Even so, the critics could find nothing but good in Rudi Bing's reputation. He had learned the opera business from the ground up -in Vienna, in Berlin, and since 1934 in England. He was well aware that "the artistic and commercial ends of opera management chase each other like a snake biting its own tail." He was hopeful about the unions. During the war, when Glyndebourne shut up shop, he had worked his way from clerk to the front office of a London department store. "I got on all right with the shop assistants; perhaps...

Author: /time Magazine | Title: Music: New Man for the Met | 6/13/1949 | See Source »

Wispy British Historian Arnold Toynbee, now lecturing in the Midwest, admitted his complete satisfaction with two American products: peanut butter and Bing Crosby...

Author: /time Magazine | Title: People: People, May 16, 1949 | 5/16/1949 | See Source »

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