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...since Hollywood Lyricist Howard Dietz wrote a new English libretto for La Boheme six years ago (Love, rhymed Dietz, "is a feast for a Roman/ It's warming my abdomen") had a Metropolitan Opera production created such a fuss. "Among the finest productions in Bing's regime," wrote Miles Kastendiek in the New York Journal-American. "Non-Mozartean shenanigans," snorted Howard Taubman in the Times, while the Herald Tribune's Paul Henry Lang denounced it as "a travesty." Occasion: a new production, staged by Broadway's Cyril Ritchard, of Mozart's comic masterpiece, The Marriage...

Author: /time Magazine | Title: Music: Fight over Figaro | 11/9/1959 | See Source »

...public responded to the production with cheers, promptly bought out the next scheduled performance. Would General Manager Rudolf Bing boot out Ritchard and restyle the work, as the Herald Tribune's scholarly Paul Lang suggested? By no means. If the Countess did not emerge as a great lady, said Bing, perhaps it was because "we don't even know who her parents were." As for the offending clothesline, he added, "I've had washing hanging in my own room...

Author: /time Magazine | Title: Music: Fight over Figaro | 11/9/1959 | See Source »

...Metropolitan Opera's new season started last Monday with more than the usual amount of confusion. Rudolph Bing, the Met's General Manager and trouble shooter par excellence had his hands full as six productions were put into their final form for presentation this week...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

...unprecedented six shows in the Met's opening week reflects Bing's desire to lengthen the Metropolitan's season without conflicting with the commitments of Met singers to other opera companies, especially the San Francisco Opera and the European spring festivals. Though there is much to be said for the extension of a Metropolitan season, (It would offer more performances to opera lovers and steadier employment to performers.) the appearance of six operas in one week presents enormous problems...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

...Ariadne auf Naxos with the San Francisco Opera. Last summer she took her great voice to Europe, won loud ovations in both London and Spoleto. Last week she received the most cherished honor of all: an invitation to sing with the Metropolitan Opera. Next season, Met Manager Rudolf Bing announced, null will be cast in the title role of Gluck's Alcestis. an opera last heard at the Metropolitan at Kirsten Flagstad's emotion-packed farewell performance in 1952. Said Soprano Farrell"I guess there wasn't anyone else around who could...

Author: /time Magazine | Title: Music: New Star for the Met | 10/26/1959 | See Source »

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