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Word: biographer (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...pictures, but the Edison Co. rejected his scenarios. When (in 1907) they hired him as an actor, to wrestle with a stuffed eagle in an old-fashioned cliffhanger, he attached himself to the movies and never, voluntarily, left them again. But until his third contract as a director with Biograph, his pride would not permit him to sign himself David Griffith...

Author: /time Magazine | Title: Cinema: Last Dissolve | 8/2/1948 | See Source »

...resented her equal earning power ($1,000 a week). For Hedda was there when the flickers were born. She knew Hollywood in 1915, when it was a village near Los Angeles. She knew Sam Goldwyn when his name was Goldfish, and played in several of his pictures in the Biograph studio on New Jersey's Palisades...

Author: /time Magazine | Title: Cinema: The Gossipist | 7/28/1947 | See Source »

Milt got his start just a few blocks north-in Harlem. His mother, Mrs. Sandra Berlinger, a Wanamaker and Gimbels store detective, began peddling him around New York's old Biograph movie studios when he was only five. At 16, she shoved him into his first solo comedy act, planted herself in the audience and started every big laugh with a stentorian "yak" that soon became famed throughout show business. At 21, Milt was a smash hit at the Palace, rolled on to successes on Broadway. But most of all, he wowed them in nightclubs. (His latest...

Author: /time Magazine | Title: Radio: Gag Machine | 3/31/1947 | See Source »

...Griffith's The Violin Maker of Cremona (1909); 250 other Biograph films (1908-1912); 85 Keystone comedies with their cops (1914-1915); The Life of Buffalo Bill, starring William Cody himself (1912); scenes of the San Francisco earthquake (1906); a Yale-Princeton football game (1903);* the Sharkey-Jefferies fight (1899); the opening ceremonies of the New York subway...

Author: /time Magazine | Title: Cinema: Riches in Rolls | 6/7/1943 | See Source »

...Negro film capital of the U. S. this week is not in Manhattan's swart Harlem, but The Bronx. There, in an old Biograph studio, Micheaux Picture Corp. has got around to producing the latest of some 40 Negro pictures it has made in 20 years. They are scripted, directed, edited and peddled by thickset, mild-mannered, chocolate-colored Producer Oscar Micheaux. Micheaux pictures take an average ten days to shoot, cost from $10,000 to $20,000. Casts are always allstar. "If I made one person the star," says foxy Producer Micheaux, "there would be no holding that...

Author: /time Magazine | Title: Cinema: Hollywood in The Bronx | 1/29/1940 | See Source »

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