Word: biographically
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...Henry Fondas) and tells him his life story. It is an epic feature that includes three wives, mistresses, ups, downs and flashbacks from movie history. Farber is present at the Creation. After his theater chain folds he becomes production assistant to Mack Sennett at D.W. Griffith's Biograph studios in New York. Sennett and Mabel Normand carry on their Keystone Kops love affair; Harold Lloyd simulates climbing the side of a building on a facade laid flat on the floor; Fatty Arbuckle takes a blueberry pie in the face; and Buster Keaton gives Charlie Chaplin costume advice...
...creator of Peter Rabbit, and the whole phalanx of present-day New Yorker cartoonists. In Ernest Griset by Lionel Lambourne (Thames & Hudson; 88 pages; $8.95), even hints of Miss Piggy can be seen in the antic portraits of hogs and frogs and owls. The result is a rare pictorial biograph that shuttles between serious analysis and pure nonsense...
...Each biograph is enlivened by a macabre whimsy: a man is steamed alive "like a lobster" when his car wash malfunctions; children are fed meals of worms; decent folk fall victim to robbery, infidelity and bad genes. Spyker reports it all, creating a community from the disparate characters as well as a portrait of the narrator, an "outlander... struck more by bits of detail than the total sepia haze of the picture: by odd names or locutions, specific items and photographs that have survived, the price paid for caring...
...Biograph, one of London's oldest movie houses, I used to see the OAPs in the afternoons. The usual price there is about 60 cents: for OAPs it's only 12. I suppose the Biograph was once luxurious, but now it has gone to seed, Besides amusing the OAPs it is, my roommate told me, a favorite haunt of homosexuals. He refused ever to go there even thought was only a block from where we lived in the center of London, and it showed films you couldn't see anywhere else. Mostly they were just bad--dubbed Italian epics about...
Colescott was inspired to begin his Dillinger series after a visit to the old Biograph Theater in Chicago, where Dillinger was ambushed by the FBI. For his version of Dillinger's famed raid on the Mason City, Iowa, bank, Colescott again went to the scene, interviewed Iowans who had been present for the great event. Colescott's version breaks the bank heist into a series of movie stills, evokes Dillinger's gaiety and derring-do with "Fun" lettered in a corner and a half-naked doll, with a star in her navel, strumming a banjo-ukulele...