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Word: birde (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

WHAT is the stock market going to do next? See BUSINESS. Best Bird Dog on the Street...

Author: /time Magazine | Title: A Letter From The Publisher, Apr. 27, 1959 | 4/27/1959 | See Source »

...described the drift of a student representative from the stage of realizing his fellows' indifference toward his service to that of irresponsible, self-centered action. Yet I wonder whether this reasoning was not carried too far and applied too broadly. To say that the responsible representative is a rare bird takes too little account, I think, of several important factors: First, there is no single group of "representatives;" a student who leads in one activity follows in most of the rest, and so never loses the sense of membership in the community. Secondly, and more important, the article takes...

Author: NO WRITER ATTRIBUTED | Title: REPRESENTATIVE OPINION | 4/23/1959 | See Source »

Before the group started its work, there was little positive knowledge of mammalian embryology. Unlike the bird or reptile, the mammal young develop inside the mother, and as a result testing becomes extremely difficult...

Author: NO WRITER ATTRIBUTED | Title: Medical School Research Team Studies Embryo Radiation Effects | 4/22/1959 | See Source »

...seems to prefer plays concerned with extremes of pain, extremes of guilt, extremes of hysteria. Now there are a lot of awfully good plays on that subject"; here he instances Oedipus Rex. But "Oedipus expiates for the sake of his entirectiy," while the heroes of J.B. and Sweet Bird of Youth (the two plays most recently directed by Kazan) are concerned in their expiation only with themselves. "Somehow the connection between strong emotion and human responsibility seems to have been cut off in his mind--and other people...

Author: By Julius Novick, | Title: Eyewitness for Posterity | 4/21/1959 | See Source »

...There's no reason why realism shouldn't be poetic in its effect... But now that Kazan is beginning to impose on realistic plays like Sweet Bird and Cat [on a Hot Tin Roof] an operatic style, I think it's dangerous and forced." The mainstream of American drama ("I hate to use phrases like 'mainstream,'" says Tynan) has to do with "observable reality. I think--let's be frank--that Kazan has moved too far away from that without the moral or social realities that are necessary to sustain it. Even in a play like Our Town ... the performances...

Author: By Julius Novick, | Title: Eyewitness for Posterity | 4/21/1959 | See Source »

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