Word: birde
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Dates: during 1950-1959
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...microphones registered the take-off noise-120-130 decibels (plenty loud, but not unmanageable for well-protected ears). Temperature readings recorded interior and exterior heat from more than 100 different points. Though Big Joe climbed 100 miles above the earth, malfunctioning booster engines in the Atlas kept the bird from reaching out to its planned distance; after thundering about 1,500 miles downrange-just a few hundred miles short of the target-the capsule began its fiery. 15,000-m.p.h. re-entry into the earth's atmosphere...
...result was unflaggingly hilarious. Booing, hissing, and the throwing of peanuts were actively encouraged. A pianist furnished background accompaniment on a worn upright; and during the intervals singers favored the audience with such oldies as "'Til We Meet Again," "Curse of an Aching Heart," "Goodbye, Little Yellow Bird," "Father, Dear Father, Come Home to Me Now," "I'm Just Wild About Harry," and "Please Don't Talk About Me When I'm Gone." The Playhouse is closing its summer schedule currently with a production of Louis Peterson's Take a Giant Step, a sensitive treatment of Negro adolescence that...
...Alphonse Matthews, a self-styled beatnik named Eric ("Big Daddy") Nord turned the joint into a coffeehouse. By midsummer, "the Gas House" was in full swing, and the beats pushed in to make the scene, as they say. A jukebox blared the beatniks' Three Bs: Bach, Bartok and "Bird" (Cool Saxophonist Charlie Parker). Bongo drums pounded out broken rhythms from early afternoon to early morning. Folk singers plunked guitars. Far-out paintings dripped from the walls. Ancient, rump-ruptured couches, rescued from the city dump, decorated the floor, and in the center of the room stood an old claw...
...slot for the grinding corn of Fabian or Frankie Avalon. or the molasses-slow maundering of Johnny Mathis. Lola, who must settle for less, deserves more. She has been learning her trade, scrabbling at the edges of show business, ever since she sang Listen to the Mocking Bird at her home-town Y.W.C.A. in Akron 25 years ago. She was a gawky ten-year-old then, defiant of her parents' dislike of anything that smacked of entertainment. Today, at 35, she sometimes concludes that show business has been defying...
...sound like a theme and variations. The quartet usually started with well-known tunes (These Foolish Things, St. Louis Blues), then varied the tempo (from 4/4 to 5/4 and back to 3/4) as it injected its own sometimes loud, sometimes soft designs. The solo lead flew like a badminton bird from one musician to the other...