Word: birgit
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Dates: during 1970-1979
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...reflected in The Who's music and Cocks' story, has also made a fan of TIME's culture editor, though the conversion came relatively late. Concedes Duffy: "Back when The Who was being launched, I was in line at the Metropolitan, trying to get tickets for Birgit Nilsson...
...Karl-Walter Bohm, Baritone Jose Van Dam, Vienna Philharmonic Orchestra, Herbert von Karajan conductor, Angel; 2 LPs). With Karajan, the orchestral music comes first, even in opera. Here he conducts a vibrant, sensuous performance of Strauss's lurid opera. Behrens as Salome may lack the cruel edge of Birgit Nilsson's performance on London. But Behrens' pure voice contrasts chillingly with Salome's lust, while Van Dam's ringing Jochanaan is a saintly counterpoint in a savage world...
...while the East Germans had not won a single final. California's Cynthia Woodhead won three golds, as did fellow Californian Linda Jezek, who swam off with a world record in the 200-meter backstroke. She finished in 2:11.93, more than two seconds ahead of East Germany's Birgit Treiber, the former record holder and the winner of a gold medal in Montreal...
Ingemar Johansson, 45, was driven out of Sweden by high taxes after the Patterson fights. Retiring in 1963, he dabbled in real estate and the restaurant business in Europe before moving to Lighthouse Point, Fla., two years ago. Johansson is now divorced: his ex-wife Birgit and their four children live in Sweden. A paunchy 240 Ibs., Johansson, plays some tennis and a lot of golf and admits he is still looking for a post-boxing career. Says he: "I haven't done anything, really. I am like a used-car dealer; I stick my nose in everything...
Richard Wagner has not been particularly well served at the Metropolitan Opera in recent seasons. One reason, to give the Met the benefit of the doubt, is that neither Tristan und Isolde nor the Ring cycle makes much sense without Heldensoprano Birgit Nilsson, who has been away from the U.S. for several seasons and gives no sign of returning. Last week the Met considerably shored up its Wagnerian wing with a new production of Tannhäuser that was spectacular to behold, breathtaking (with one major exception) to hear and immensely satisfying in the way it made dramatic sense...