Word: birgit
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...rosee a dramatic as well as a technical triumph. It was perhaps the most wildly applauded moment of the present Met season-a season made somewhat lackluster by several dull, slack productions but rendered memorable by what seemed like a new age of brilliant singers, most notably Birgit Nilsson, triumphant in Turandot, and Soprano Price herself...
Earthy Presence. Others seeking to identify Leontyne Price's special quality also point not only to her voice but to her person. There are many superb operatic voices among comparative newcomers: Birgit Nilsson. Anna Moffo, Anita Cerquetti, Teresa Berganza, Joan Sutherland. Leonie Rysanek. What distinguishes Price from them as a performer is a kind of earthy presence-a quality that has little to do with acting. Many sopranos and actresses have been called "the essential female" but Leontyne Price convinces most of her audiences that she really fits the description. Not beautiful but with almost translucent brown skin, high...
...Patterson stuck grimly to his job of clouting sparring partners in preparation for a championship bout with Sweden's Ingemar Johansson. And although Ingo was working harder than ever before in the training ring, he was still surrounded with all the lush appurtenances of life, including perennial fiancee Birgit Lundgren...
...made clear that, vocally, opera is in the midst of a new golden age. Soprano Leontyne Price, in Aïda, sang the famous O patria mia with such velvety beauty, such abundance of power, that she overshadowed most other recent Aïdas. Later in the same week, Birgit Nilsson sang Turandot's climactic scene in a way that will be remembered for years as the fulfillment of the opera's own description of its heroine: "Fire and ice." If two such performances can happen within five days, in addition to Joan Sutherland's remarkable...
...otherwise fine recording of the imperishable operetta classic offers a strange side effect. One moment, the listener is tapping his feet to the most tap-pable of old Viennese waltzes; the next, he is caught up in the English rhymes of I Could Have Danced All Night, sung by Birgit Nilsson, of all people, in ponderous and chesty style. In the midst of the second act party scene, the producers have inserted anachronistic "entertainments" sung by some of opera's grandest names-Giulietta Simionato and Ettore Bastianini wander through Anything You Can Do, Leontyne Price sings Summertime from Porgy...