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...London's Covent Garden Royal Opera House, Swedish Soprano Birgit Nilsson wowed almost everyone-critics and public alike-with her passionate singing of Brünnhilde in Wagner's Die Walküre. But one listener was unimpressed-Critic Peter Branscombe of London's Financial Times, which takes a passing interest in music. Pronounced Branscombe: "She is not yet the perfect Brünnhilde, but her sense of the stage is deepening." That one sour note was enough for Birgit to conclude that London is a town with rocks in its head. Cried she caustically: "I will...

Author: /time Magazine | Title: People, Oct. 17, 1960 | 10/17/1960 | See Source »

...seek out new voices, and its stage provides a training ground for the best of them. The theater gave Elisabeth Soederstrom her start when she was fresh out of school, helped Kerstin Meyer prepare for her U.S. debut in Carmen this fall. Even Sweden's established stars -Birgit Nilsson, Set Svanholm, Jussi Bjoerling-owe some of their development and much of their musical education to the Drottningholm Theater...

Author: /time Magazine | Title: Music: Sleeping Beauty | 8/29/1960 | See Source »

What redeemed Bayreuth's Ring was the first-rate musical performance by Conductor Rudolf Kempe and his singers, among them Birgit Nilsson, Aase Nordmo Loevberg, Hermann Uhde, Jerome Hines. While the stars bore familiar names, the surprises of the festival were provided by the talented newcomers. Among them: Berlin-born Anja Silja, 20, singing Senta in The Flying Dutchman, who first came to Bayreuth four years ago as a visiting teenager; Texas-born Thomas Stewart, 32, who was selected for the impressive role of Amfortas in Parsifal after illness forced George London to cancel; U.S. Conductor Lorin Maazel...

Author: /time Magazine | Title: Music: Valhaila & Mozart's Tomb | 8/8/1960 | See Source »

...Birgit Cullberg is a bun-haired, 51-year-old Stockholm matron who once planned to be a librarian. But while she was studying literature at the University of Stockholm, she discovered that cataloguing was not really her game: at the remarkably late age of 25 she gave it up to become a dancer. Since then, as one of Europe's most talked-about choreographers, she has been busy constructing her own five-foot shelf of bibliophilic ballets: Medea, Romeo and Juliet, Miss Julie. Last week she was in Manhattan to witness the premiere by the American Ballet Theatre...

Author: /time Magazine | Title: Music: Seaside Ballet | 5/2/1960 | See Source »

...Birgit Cullberg feels, she has only begun to tap the library. "Dance movement," says she, "can express things not talked, not possible...

Author: /time Magazine | Title: Music: Seaside Ballet | 5/2/1960 | See Source »

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