Word: birmingham
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Dates: during 1990-1999
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However, in the recently finalized state budget, House Speaker Thomas M. Finneran (D-Mattapan) and Senate President Thomas F. Birmingham '72 (D-Boston) inserted language that would have gutted this proposal, according to proponents of the law. The changes would have allowed incumbents to raise huge amounts of money while in office and still be able to qualify for public funds in the last six months before an election...
Pressed to explain their changes to the Clean Elections law, Birmingham and Finneran cited the need for some representatives to maintain district offices. They claimed that representatives would not have enough money to run for these offices if they agreed to limit fundraising under the new law. However, such a minor problem could surely have been dealt with in a more effective way. If this had indeed been the true issue at stake, the law could have been tweaked to allow an exception for constituent services. However, there has been widespread speculation that more powerful interests were at work...
...well known that both Birmingham and Finneran harbor gubernatorial ambitions. One of their possible competitors for the Democratic nomination in 2002 is wealthy entrepreneur Steve Grossman, former chair of the Democratic National Committee. Grossman could clearly outspend either Birmingham or Finneran in a campaign, but if one of the candidates could gain public funding in addition to private contributions, it would improve his chances. The Boston Globe reported that Birmingham was pressuring the administration to quietly accept the changes, no doubt looking forward two years to the upcoming race...
...Elaine Cassidy) is an Irish girl come to Birmingham, England, to find the guy who left her pregnant. He (Bob Hoskins) is a caterer with an eye, and a knife, for the ladies. In this sort-of comedy about a serial killer and his next intended, the only thing pushing the plot is relentless coincidence--a movie this implausible shouldn't be this dull--and a very aggressive score that tells you what you would have felt if the film (from the director of The Sweet Hereafter) had been made with more passion and craft. Only Hoskins rises above...
...Teeth does not remain silly for long. "Hello Birmingham" is a dialogue between Buffalo and Birmingham, two cities recently targeted by pro-life terrorists. DiFranco's social commentary waxes over vital and relevant points, though she often finds herself grappling with similar issues again and again: violence against women, homophobia, the right to choose, drug abuse and workers' rights. Her criticism is always painfully accurate, but rarely preachy or repetitive. Despite some of the musical near-misses she has encountered while pumping out a surging stream of albums, DiFranco remains innovative and consistent on To the Teeth. She proves that...