Word: birthday
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Dates: during 1960-1969
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...went the paper airplanes around the room. It was the 31st-birthday reception of Japan's Crown Princess Michiko, who seemed to be spending most of her time folding missiles for her son Prince Hiro, 5, to buzz the photographers with. The princess expects a second child at the end of November...
Celebrating his 79th birthday last week, with his famed burning-bush hair do newly cropped, the patriarch of modern Israel lounged on the lawn in front of his prefabricated house at the Sde Boker kibbutz in the Negev. He accepted gifts of gladioli, roses and wine, together with the traditional Jewish greeting, "You should live to be 120!" "Is that all?" joked David Ben-Gurion...
Good question. For months, Ben-Gurion has been keeping a grueling political schedule that would make a far younger man feel six score years of age. On the day before his birthday, he harangued a crowd of 3,000 in the Red Sea port of Elath on the failure of Premier Levi Eshkol to develop the Negev, then gave a two-hour evening lecture on other Eshkol shortcomings. In prep aration for Israel's general elections on Nov. 2, Ben-Gurion has founded a new party called Rafi and is seeking to wrest the balance of power...
...first place, there were too many strings. Richard Wagner composed this charming piece for his wife and played it from the stairway on the morning of her birthday. He scored it for what even the program notes call a small orchestra: flute, oboe, 2 clarinets, bassoon, trumpet, 2 horns, and strings. If you can imagine the entire string section of the BSO standing on Mrs. Wagner's steps, you will get some idea of how Tuesday's performance sounded. No one loves the depth and richness of a large subdued string section better than I do; but the winds sounded...
Rather than cartoons, Edward Kienholz, 38, goes in for whole stage sets (or "tableaux," as he calls them) that have the grisly impact of a charnel house, yet on second glance present deeply shocking morality plays. Birthday, says the well-spoken former farmer, should express the hope offered by even the most forlorn birth. Giant plastic arrows express resurrection, even if with a tainted blatancy; the plastic bubble above the mannequin mother's mouth, actually a dimestore baby's plastic bubble, symbolizes a scream. It is theater, embalmed in translucent epoxy and cluttered with props-a ghostly coat...