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...addition to the duet, two Pitches making their final appearances with the group, Tumolo and Katie Monticchio ’06 will be premiering original arrangements of “Bei Mir Bist Du Schoen” and “Always True to You In My Fashion,” respectively. Another debut at the well-attended annual concert will be a new compact disc of Pitches’ a cappella from the past year. Tumolo describes the CD as “a 30th anniversary tribute, featuring Pitch classics as well as new arrangements.” Songs...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: On the Radar: The Pitches | 2/11/2005 | See Source »

...time alone, free from the social entanglements supposedly responsible for my flamboyance, I realized I wasn’t all that different from before. In the vacuum of isolation, I was still a dramatic finger-snapping flamer with limp wrists, a slight lisp and tight jeans. Werden was du bist, suggested Goethe—Become what you are. While my harassment in high school may have exaggerated my latent traits, it certainly didn’t create me. Instead, it showed me who I really...

Author: By William L. Adams, CRIMSON STAFF WRITER | Title: My Flaming Valentine | 2/14/2002 | See Source »

...finally getting to the point - anyone with an ear to the radio got a world tour. Earlier decades had welcomed a few musical refugees: "Perfidia" in Glenn Miller's version, Eddy Duchin's cover of "Brazil", the Andrews Sisters' hot-Yiddish "Bei Mir Bist du Schön." But the '50s truly internationalized music on the radio; it turned AM into...

Author: /time Magazine | Title: That Old Feeling: Yesterday When We Were Young | 5/18/2001 | See Source »

...everyone is programming his music. Cleveland tried to pick seven crowd-pleasers, but the lied, an intimate genre for solo voice and piano, does not always survive orchestration. The two songs that Brahms transcribed, "Memnon" and "An Schwager Kronos," not surprisingly, were very successful. But Kurt Gillman's "Du Bist Die Ruh" and Felix Mottl's "Standchen" invited exuberance and high volume where restraint and calm would have better served the lilting melodies...

Author: By Matthew A. Carter, | Title: Cleveland Orchestra Makes Triumphant Visit | 2/6/1997 | See Source »

...original "Du Bist Die Ruh," the piano keeps repeating a gently undulating phrase that is the ideal accompaniment for the song's simple melody. It is not a phrase for a harp to pluck--this "Ruh" was more irritating than peaceful. Baer seemed uncomfortable with the music being made around him, yet the strength of his voice did not waver. Like most people, he probably regretted Gillman's decision to end the song with a drum roll...

Author: By Matthew A. Carter, | Title: Cleveland Orchestra Makes Triumphant Visit | 2/6/1997 | See Source »

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