Word: bist
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Dates: during 1990-1999
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...everyone is programming his music. Cleveland tried to pick seven crowd-pleasers, but the lied, an intimate genre for solo voice and piano, does not always survive orchestration. The two songs that Brahms transcribed, "Memnon" and "An Schwager Kronos," not surprisingly, were very successful. But Kurt Gillman's "Du Bist Die Ruh" and Felix Mottl's "Standchen" invited exuberance and high volume where restraint and calm would have better served the lilting melodies...
...original "Du Bist Die Ruh," the piano keeps repeating a gently undulating phrase that is the ideal accompaniment for the song's simple melody. It is not a phrase for a harp to pluck--this "Ruh" was more irritating than peaceful. Baer seemed uncomfortable with the music being made around him, yet the strength of his voice did not waver. Like most people, he probably regretted Gillman's decision to end the song with a drum roll...
...World War II to three voices, and the choices are obvious: the rant of Hitler, the rumble of Churchill . and the single, seamless sound blended from the warble of the Andrews Sisters: Maxene, Patti and LaVerne. The trio first flew up the charts with 1937's bilingual Bei Mir Bist Du Schoen, a Yiddish ditty infused with the giddy, jivey spirit that followed G.I.s around the globe. Wartime hits included Boogie Woogie Bugle Boy (1941) and Rum and Coca-Cola (1944). The 1967 death of LaVerne ended the Andrews Sisters' career--but not Maxene's. She went solo, wrote...