Word: bitche
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...Pinter redoubles his attacks on our expectations. People don't answer when spoken to, or if they do, they respond by talking about a totally different subject. Max begins a sentence with, "your mother was a lovely woman" and ends by denouncing that same lovely woman as a "slut-bitch". And throughout, Pinter maintains a delicate balance of humor and menace. In the midst of a conversation filled with small-talk, Lenny suddenly describes to Ruth his brutal beating of a woman the day before: "Well, she was standing up against this wall, see? No, actually she was sliding down...
Talk about your bad movies. Miss York mopes about trying to look stoic. Caine carries on with a variety of bleats, sneers and snivels. X Y & Zee, however, is mostly a vehicle for Miss Taylor, who gets still another chance to do the bitch-Earth Mother act seen previously in Boom and Who's Afraid of Virginia Woolf? She can be a good actress and is still a beautiful woman; it is a sorrowful thing to watch her camp it up. O'Brien and Director Brian G. Hutton (Where Eagles Dare} toss dialogue and bits of business...
...nudge the boys to manhood. This involves him not only as a trail boss and referee but as a speech therapist. He cures one of the kids of a bad stutter by riling him until the boy can call Duke half a dozen kinds of a son of a bitch without a single stumble...
...probably draw up a completely different selection tomorrow. 1. Groove Me King Floyd 2. Maggie May Rod Stewart 3. Let's Stay Together Al Green 4. Do You Know What I Mean Lee Michaels 5. Have You Seen Her Chi-Lites 6. Want Ads Honey Cone 7. Brown Sugar-Bitch Rolling Stones 8. Nathan Jones Supremes 9. What's Going On Marvin Gaye 10. Where Did Our Love Go? Donnie Elbert 11. Tired of Being Alone Al Green 12. Never Can Say Goodbye Isaac Hayes-Jackson 5 13. American Pie Don McLean 14. Maggie Redbone 15. Spanish Harlem Aretha Franklin...
...your life, and nothing else," says Inez, triumphantly self-described as a bitch. All the characters know why they are there; they all spent their lives destroying things--Inez a marriage, Garcin his wife's trust, Estelle her baby. But Sartre is just as clear about death; you are what you make it. Inez, Garcin, and Estelle are locked in a barren room for eternity, and they have only each other to destroy. But destruction is not possible. They are already dead and so instead create a symbiosis of torture; Inez wants Estelle, and Estelle wants Garcin, Garcin only wants...