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Word: bitche (lookup in dictionary) (lookup stats)
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Usage:

...women, makes love to them sexually, emotionally, aesthetically; they respond, adoringly, confessionally. She drains them of their passion, distills them in her diary; they stay or leave; fangs out, she hunts for more. What is particularly insidious about this pattern is that she uses the diary to bitch in. Where in the course of a relationship she is unable to tell her seducer to go to hell, she does so in the diary, so that we will know that it wasn't that Anais Nin was jilted...

Author: By Tina Rathborne, | Title: The Return of the Vamp | 11/16/1971 | See Source »

...seems of secondary importance, to be moved around at will. Tony seems negligent and disillusioned. He is married to Elizabeth, whom he "likes," but his only real involvement is an obsessive affair with Natalia Jones, the wife of another M.P. On the face of it Natalia seems a routine bitch. Her jealousy, her suicide threats, her retreat to her husband when Tony becomes serious are all clich...

Author: /time Magazine | Title: Books: Heavenly Bodies | 10/4/1971 | See Source »

...Holliday walks in out of the prairie dust. Kate Elder, now off the line and making a home, looks up from her work. "Hiya, bones," she says. Hello, bitch," he smiles...

Author: /time Magazine | Title: Cinema: Potshots at the O.K. Corral | 8/30/1971 | See Source »

Even at Radcliffe, joking stereotypes fade by moving in, no matter how unwillingly, and finding real live girls. The Cliffie may be called, brom a distance, the new rich bitch from the pools of Darien, wide-eyed bitch from the plains of Nebraska, bitch of bitches from the wastes of Suffolk County-and awarded the Penis Emmy for special effects in castration design. The women's lib man-caters...

Author: By Brian Wallace, | Title: A Songwriter Within | 6/7/1971 | See Source »

...answer is "yes." Sticky Fingers has sold a half-million copies in its first two weeks. It also shows that the Stones are masters of much more than what British Critic Geoffrey Cannon calls "roaring white rock." Bitch and Brown Sugar, as irreverent, aggressive and sexually brutal as ever, will delight old-line Stones fans. Can't You Hear Me Knocking, by contrast, is a stylistic meeting place for old and new. It begins with that familiar buzzing, distorted guitar sound and inimitable druggy sentiments ("Yeah, you've got plastic boots/ Y'all got cocaine eyes Yeah...

Author: /time Magazine | Title: Music: Return of Satan's Jesters | 5/17/1971 | See Source »

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